Something completely different
in Terry Gilliam
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Monty Python's Flying Circus clearly plays the key role in launching Terry Gilliam as a filmmaker. This chapter also addresses certain pertinent aspects of one of television's greatest comedy shows. One of these aspects is the importance of Gilliam's animation to the style as well as the structure of the show. One of the few self-referential moments occurs in Gilliam's animation, The Killer Cars, in which pedestrian-devouring cars are consumed by a giant mutant cat. Gilliam's animations transfer better than many of the great verbal sketches. Holy Grail is more focused on a single set of characters and a relatively coherent narrative. Hence the animation is decidedly less surreal than on television or in Something Completely Different. Holy Grail gave Gilliam a tough and highly instructive apprenticeship in filmmaking, but the opportunity only arose because he and Terry Jones were Python members.

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