Curtain’d in mysteries

An introduction to Gothic fashion

in Fashioning Gothic bodies
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

At the end of the twentieth century and the beginning of the twenty-first, both Gothic literature and the history and theory of fashion have achieved increasing prominence within academic discourse. They have been reinstated from marginal disciplines to vital and important areas of intellectual enquiry. The emphasis on the surface in Gothic narratives can also be related to the emergence of the sensibility now known as camp. Judith Halberstam's contribution is most significant in her gesture towards the Gothic body as a kind of patchwork entity, stitched together from fragments and scraps of discourse. The concentration on fashion 'technologies', or 'techniques of fashioning the body' inspired by Michel Foucault's work, has enabled fashion theorists to evade the conventional dichotomies of primitive and civilised, natural and artificial which have plagued the constructions of dress.



All Time Past Year Past 30 Days
Abstract Views 239 204 17
Full Text Views 38 26 3
PDF Downloads 15 13 0

Related Content