The double and the single woman

in Fashioning Gothic bodies
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

The doppelganger or double is a frequently noted feature of Gothic fiction. The key critical text to theorise male doubles in Gothic literature is Eve Sedgwick's Between Men: English Literature and Male Homosocial Desire. Daphne du Maurier's novel Rebecca sets the blueprint for the twentieth-century novel of the female double. Emma Tennant's novella The Bad Sister is a rewrite of Confessions of a Justified Sinner from the perspective of a female protagonist. In Rebecca, The Bad Sister and Single White Female, clothing provides a primary mechanism through which the exploration of the doppelganger theme is produced. Single White Female is saturated with fashion discourse. The film's title implicitly suggests the threat of the double to the construct of the 'single' woman, a historically specific category of femininity brought into being by magazines like Cosmopolitan.



All Time Past Year Past 30 Days
Abstract Views 186 166 22
Full Text Views 47 35 4
PDF Downloads 9 8 1

Related Content