This chapter explores a few of the female Gothic dramas in an attempt to define the particular ways in which narratives of domestic fear and entrapment appear on television. It outlines the ways in which the heroine negotiates her position within the domestic space of the Gothic narrative. The chapter focuses on a topographical analysis of the mise-en-scene of female Gothic fiction on television, and identifies the connection between text and domestic viewer. The television adaptation of Northanger Abbey plays upon the representation of Cathy as a diegetic stand-in for the female Gothic reader-viewer by fully visualising extracts from her reading matter through imagined point-of-view sequences at key moments in the narrative. The Wyvern Mystery alters the generic approach to the heritage location to express the distinct uneasiness attached to domestic spaces within the female Gothic narrative.
This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book considers memory as a specific framework for the study of popular film, intervening in growing debates about the status and function of memory in cultural life and discourse. It examines the relationship between official and popular history and the constitution of memory narratives in and around the production and consumption of American cinema. The book explores the political stakes of cinematic discourse in its production of national memory. It also examines the discursive and institutional apparatus that has come to support the memory of Classic Hollywood in British cultural life. The book also considers both the presence of music and colour in nostalgia films of the 1990s and the impact of digital and video technologies on the representational determinants of mediated memory.