Australian Gothic
in Contemporary Australian cinema
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Australian Gothic represents a mode, a stance and an atmosphere, after the fashion of American Film Noir, with the appellation suggesting the inclusion of horrific and fantastic materials comparable to those of Gothic literature. The perversity of rural townships and their residents forms the basis of Gothic texts which in other respects reflect debts to generic entertainment, social polemics, fantasy and allegory. Peter Weir's first feature production The Cars That Ate Paris portrays the Outback town as the seat of deranged authority. The considerable commercial success of Mad Max (1979) and Mad Max 2 (1981) both at home and abroad is attributable to the strong generic basis for their narratives, characterisation and iconography. Max's heroic tasks grow in stature and destructiveness as the cycle progresses. In the cases of Walkabout and Shame, a significant part of the horror resides in the defamiliarisation of natural and human landscapes away from urbanisation.

Editor: Jonathan Rayner


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