The male ensemble film
in Contemporary Australian cinema
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The male ensemble film, in its first phase up to Breaker Morant, is strongly influenced by the posture of the ocker; blunt, loud, hedonistic and conservative in the populist manner. The first revival film to foreground the male milieu and masculine ethics was Sunday Too Far Away. The absence of female characters in Sunday Too Far Away highlights the exclusivity of the male group and professional affiliations. The Club's depiction of sporting and business rivalries within a football club offers a further example of a male-dominated milieu within Australian society. The inevitability of fate in Gallipoli is comparable with the inexorable socio-political forces exerting their influence over the characters of Between Wars. Portrayals of male mates in later Australian film have outstripped the ambiguities, recessiveness or conservatism characterising the earlier cycle of male-centred dramas.

Editor: Jonathan Rayner


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