The 1980s
Emergent feminist thought and resurgent video cameras
in You’re nicked
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This chapter explores how Juliet Bravo (BBC, 1980–1985), The Gentle Touch (ITV, 1980–1984), and The Bill (ITV, 1984–2010) use video cameras and the rhetoric of melodrama to negotiate the disconnect thought to exist between the British police force’s increasingly militaristic practices and the public’s favouring of community policing. The analysis considers how each series interacts with contemporary rational-actor models of criminology in relation to this socio-political disparity. Moreover, the chapter determines how each series intervenes in debates surrounding class identity and gender roles in relation to Thatcherism: the political philosophy committed to reasserting Victorian values and displacing the responsibilities of the State on to individuals to decrease Government spending.

You’re nicked

Investigating British television police series



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