Addressing the other woman

Textual correspondences in feminist art and writing

In the late 1960s and 1970s, women artists in the United States and Britain began to make texts and images of writing central to their visual compositions. This book explores the feminist stakes of that choice. It analyses how Adrian Piper, Nancy Spero, and Mary Kelly worked with the visual dimensions of language to transform how women are perceived. To illuminate the specific ways in which these artists and writers contribute to the production of a feminist imaginary, Part I charts the correspondences between the artwork of Piper and the writings of Davis. It analyses the artwork she created in the late 1960s and 1970s, when she began using text to create artwork that moves between what Piper identifies as 'the singular reality of the "other."' Davis's writing exposes the fictions animating projections that the black female body is perceived to be a malleable ground upon which fears and fantasies can take visual form. Part II focuses on aggression and traces how its repression plays out across Spero's Codex Artaud and Solanas's SCUM Manifesto. It argues that in Post-Partum Document, texts and pieces of writing become fetish objects that Kelly arranges into visual and linguistic 'poems' that forestall a confrontation with loss. Part III demonstrates that the maternal femininity thought to naturally inhere in woman is also restricted and muffled, quite efficiently repressing the possibility that women could address each other across maternal femininity's contested terrain.

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