Mainstream and beyond
The musical universe and its worlds
in Connecting sounds
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter picks up on the idea of the mainstream, introduced in the previous chapter, and also the concept of ‘music worlds’, briefly discussed earlier in the book. It elaborates further upon both, developing a concept of a musical universe comprising both a mainstream and multiple alternative music worlds. The chapter concludes with an empirical demonstration of some of these ideas.

Connecting sounds

The social life of music

INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 13 13 11
Full Text Views 0 0 0
PDF Downloads 0 0 0
RELATED CONTENT