‘Something sensible to grasp at’
Byron and Italian Catholicism
in Byron and Italy
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter documents the evolution of Byron’s personal and poetic relationship with Catholicism from what was presumably his first real encounter with it at Newstead Abbey in 1798 through to the final cantos of Don Juan and the figure of Aurora Raby. Detailing and exploring Byron’s experience of Italian friars, priests, cardinal legates, a pope and, most importantly, Italian Catholic women, the chapter suggests that, in Catholic Italy, spiritually, Byron found ‘something sensible to grasp at’. Ranging across Byron’s poetic career, the chapter sees the poet begin as a John Knox in response to Catholicism but progressively become not only a thinker of theological precision but also a ‘sympathetic outsider’ and, indeed, even an insider to Italian Catholic experience

Editors: Alan Rawes and Diego Saglia


All Time Past Year Past 30 Days
Abstract Views 41 18 4
Full Text Views 29 10 0
PDF Downloads 15 6 0