‘The Chosen Ones’
Sara B. Elfgren and Mats Strandberg’s teenage witch trilogy
in Nordic Gothic
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This chapter examines Sara B. Elfgren and Mats Strandberg’s Engelsfors trilogy, including the novels Cirkeln (2011; The Circle 2012), Eld (2012; Fire 2013) and Nyckeln (2013; The Key 2015). This trilogy, focusing on Swedish teenage witches, combines supernatural Gothic with critical social realism, and highlights the flaws and failures of the welfare state from a number of teenagers’ points of view. It places the story in a particular Swedish geographical and historical setting, while at the same time employing Gothic themes and motifs that have earlier been used in 1990s’ American films and TV series. The chapter explores the use of multiple focalisation, Gothic plot elements, the place of witchcraft, the school as a Gothic location, doppelgängers and divided selves and the attraction and dangers of the witches’ powers. Despite the elements that it shares with certain American Gothic productions, the trilogy is a distinctly Nordic Gothic production in that it manages to create a plural protagonist and in the ways in which the geographical and gloomy social setting are used to tie the Gothic elements to particular historical contexts.


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