Luke Demaitre
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The clapper as ‘vox miselli’
New perspectives on iconography
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In the conventional view that fear, revulsion and exclusion characterised the medieval response to leprosy, the clapper served merely to keep patients and bystanders apart from each other. This chapter is part of a broader effort to arrive at a less one-sided and more informed assessment. It presents a comparative analysis of the pictorial evidence provided by some 300 images produced in different parts of Europe, half of which show a clapper. Most of the images illustrate biblical scenes, but they nonetheless reflect contemporary perceptions and mores. The preponderance of two narratives, namely the encounters of Jesus Christ with leprosi and the parable of the rich man and Lazarus, creates a thematic slant. However, these very themes reveal the essential significance of the clapper, as well as of other implements and features that marked leprous patients, particularly wandering leprosi. The common view is that these signs were intended to scare people away and thereby to protect them from horror as well as infection. However, their primary purpose was not to alarm but to alert bystanders, not to trigger fear but to call for mercy – misericordia – for the poor and helpless misellus, or ‘little wretched one’. Indeed, the images discussed in this chapter were aimed at celebrating and stimulating generosity towards the leprous. The common themes were inclusion and attention, not exclusion and rejection.

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Leprosy and identity in the Middle Ages

From England to the Mediterranean

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