Laure Guirguis
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Taranim and videos
The Egyptian Church stripped bare by its children?
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The contemporary renewal of taranim (singular: tarnima) and the production of videos inspired by these songs are a product of the development of a Coptic ‘mass culture’ in contemporary Egypt. Regarded by most Copts as the current expression of a centuries-old culture, taranim give concrete expression to the sense of belonging of the community. But these songs – and the videos that have been associated with them for around a decade – intersect with, or are stimulating, a diversity of social, religious and cultural practices that deviate at times from the code of behaviour prescribed by the Church. Combined with the attraction that charismatic currents and the ‘born again’ Christians have exerted over Christian youth in Egypt over the last twenty years or so, taranim in renewed form show Coptic dissatisfaction with clerical dogmatism. They also bring into play a vision of the individual and faith opposing that of the Mother Church.

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