Anahi Alviso-Marino
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When walls speak
Revolutionary street art in Yemen
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In early 2011, in Sana’a, as in other large cities of Yemen, contentious mobilisations calling for the departure of President Ali Abdallah Saleh quickly took the form of permanent occupations of public space. Sit-ins and revolutionary camps/squares were established, some of which lasted until April 2013, well beyond Saleh’s formal resignation in February 2012. Street art, which its protagonists define as the use of various artistic techniques on and in public space without prior authorisation, fed on the Yemeni revolutionary context and contributed to visually translating political demands much like photography or painting. Each of these artistic practices was nevertheless more or less subject to experimentation. Gradually, contentious street art transformed the walls of Sana’a into a centre of interest that mixed playful, artistic and political practices. A turning point for this transformation took place in March 2012 at the crossroads of Zubayri and Da’iri streets in Sana’a, when following the initiative of a young artist named Murad Subay, painters, amateurs and ordinary citizens joined the project of painting the walls of their streets. In this chapter I will explore how walls came to speak, telling stories that intersect leisure, artistic professionalisation and political commitment.

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Arab youths

Leisure, culture and politics from Morocco to Yemen

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