Kaja Franck
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Growing pains of the teenage werewolf
Young Adult literature and the metaphorical wolf
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Twentieth-century werewolves, with their monthly transformations, violent outbursts and sudden sprouting of hair, have become a ready metaphor for adolescence in popular culture. Teen Wolf (Rod Daniel, 1985) encapsulates the connection between teenager and lycanthrope. Concentrating on Maggie Stiefvater’s Wolves of Mercy Falls trilogy (2009–2011) and Annette Curtis Klaus’s Blood and Chocolate (1997), this chapter uncovers the assumption at the core of this metaphor: that teenagers, like werewolves, are animalistic and, moreover, that the wolf is lesser to the ‘were’. Thus, to use the language of the Gothic, both werewolves and adolescents are made liminal in this structure. By looking at the teenage werewolf from the point of view of the wolf, the author looks to address the lower status of the animal and return the wolf’s voice.

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In the company of wolves

Werewolves, wolves and wild children

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