‘I am the Bad Wolf. I create myself’
The metafictional meanings of lycanthropic transformations in Doctor Who
in In the company of wolves
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Given the intertextual tendencies of the franchise, it is perhaps surprising to find that, applying a narrow definition, the werewolf has featured only twice in the BBC television series Doctor Who: once in the form of the punk shapeshifter Mags in ‘The Greatest Show in the Galaxy’ (1988–9), then again in that of the foundling host of ‘Tooth and Claw’ (2006). If, however, the genus is approached in a more inclusive spirit, these examples are soon joined by other contenders: the Primords of ‘Inferno’ (1970), for instance, and the Lukoser from the ‘Mindwarp’ episodes of The Trial of a Time Lord (1986). Looking beyond televised stories to the novels published by Virgin and the BBC, the audio dramas produced by Big Finish and comic strips featured in the Doctor Who magazines, it becomes clear that the Whovian werewolf pack is much bigger than it first appears. In exploring some of the ways in which the folkloric hybrid has been adapted to the mythos of Doctor Who at various times and in multiple formats through a period of more than half a century, this chapter is able to comment on the wider cultural adaptability and significance of the werewolf and its primal cousins.

In the company of wolves

Werewolves, wolves and wild children

Editors: Sam George and Bill Hughes
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