The magic of the printed word
A prologue
in Tales of magic, tales in print
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Fairy tales were communicated mainly in bourgeois households where religion was interwoven with romanticism. The popular notions of fairy tale history, current during the nineteenth and twentieth centuries, ever since Jacob and Wilhelm Grimm composed their Kinder- und Hausmärchen (KHM), suffer from one major handicap: they are built on assertions rather than on evidence. The Magic Flight cluster demanded attention because it appeared to be the one story theme most represented in the KHM, with versions by Friederike Mannel, Dortchen Wild, Jeannette and Marie Hassenpflug and Ludowine von Haxthausen. Over the last few years fairy tale research has made great strides, although most of it is better available in German than in English, as is witnessed by standard works such as the multi-authored Enzyklopädie des Märchens and Walter Scherf's two-volume Märchenlexikon.

Tales of magic, tales in print

On the genealogy of fairy tales and the Brothers Grimm

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