Jonathan Bignell
Search for other papers by Jonathan Bignell in
Current site
Google Scholar
Docudrama performance
Realism, recognition and representation
in Genre and performance
Abstract only
Log-in for full text

The hybrid television form of docudrama, blending documentary and drama conventions and modes of address, poses interesting methodological problems for an analysis of performance. This chapter provides examples of docudramas of post-1990 period. It discusses some of the distinctions between kinds of docudrama performance, the implications of their links with related television forms and how docudrama performance exploits the capacities of television as a medium. Performance styles are different in two examples of docudrama, where in one-off television films already known public personalities are represented by actors. The mode of Thatcher: The Final Days and Diana: Her True Story has much in common with melodrama. The melodrama in television is marked by its focus on women characters, on the emotional and the psychological, and on moments of dramatic intensity. The performance style in both Diana and Thatcher derived from the melodramatic mode, as opposed to more naturalistic, understated performance modes.

  • Collapse
  • Expand

Genre and performance

Film and television


All Time Past Year Past 30 Days
Abstract Views 417 67 15
Full Text Views 55 2 0
PDF Downloads 30 3 0