Brian Mcfarlane
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A place in the field
in Lance Comfort
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Lance Comfort had been in the film business for twenty years when, in 1946, he directed Margaret Lockwood in Bedelia. The dominant positions, in terms of either economic or symbolic capital, in the field of cultural production, as it obtained in British cinema in the 1940s, just managed to elude Comfort. During the war, Comfort ventured into historical drama, regional comedy and spy thrillers, but did not again attempt full blooded melodrama during the period of Gainsborough's commercial ascendancy. Comfort's melodramas, including Temptation Harbour, Daughter of Darkness, Silent Dust and Portrait of Clare, were all perhaps too sombre for popular taste. The field of cultural production is not of course governed purely by critical or audience reception, and in the case of cinema the conditions of film production, distribution and exhibition all play their influential roles.

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