in Photography and social movements
Abstract only
Log-in for full text

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book describes photography's interrelation with three instances of political struggle, namely the uprising of May 1968, the indigenous Zapatista movement in Mexico and the anti-capitalist protests in Genoa in 2001. It examines the problematic of documenting social protest through photography taking into account diverse photographic practices, including photojournalism, amateur and professional photography. The book also examines the official representations of the movements in the mainstream press, drawing upon examples from British, French and Italian newspapers. It explains the function of photography within the movements' networks of communication, namely the movements' newspapers, leaflets, newsletters, banners and websites. The book studies how photographs of social protest find their way into the mainstream media and investigates the mechanisms used by the mass media in order to produce newsworthy stories attractive to a wide audience.

Photography and social movements

From the globalisation of the movement (1968) to the movement against globalisation (2001)


All Time Past Year Past 30 Days
Abstract Views 103 17 0
Full Text Views 23 2 0
PDF Downloads 15 2 0