Hélène Cixous' unusual position as an academic critic/poet has made the reception of her work problematic. In marking the continuity between writing and the feminine Cixous is deeply indebted to Jacques Derrida who was a personal friend and intellectual soul-mate for many years. Her work leads her to acknowledge that her feminist politics do not promise a resolution to the darkest mysteries. Thus she declares that politics leads her to faith and faith leads her to cast her lot with those who do not deny 'the mysteries that beat in the heart of the world'. The image of writing as child returns us to the central theme of Cixous' work, and that is that writing belongs to the body, but not only to the body in its procreative power.