Introduction
Language and politics
in Writing the war on terrorism
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book is about the public language of the 'war on terrorism' and the way in which language has been deployed to justify and normalise a global campaign of counter-terrorism. The book has two primary goals. First, it seeks to explore the nature of the overarching narrative or story of the 'war on terrorism': its main themes and appeals, its forms and expressions and the kinds of cultural and political myths that it encompasses. Second, it explains how the language of the 'war on terrorism' has become the dominant political paradigm in American foreign policy since September 11, 2001, and the different kinds of reality-making affects that the adoption of this language has.

Writing the war on terrorism

Language, politics and counter-terrorism

Metrics

All Time Past Year Past 30 Days
Abstract Views 970 501 35
Full Text Views 58 23 4
PDF Downloads 37 31 8