Introduction
Spare parts
in Dada bodies
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The chapter situates Dada in the historical and social context of wartime and post-war Europe. It argues that Dada’s limit-forms of the body both reflect the chaos of the times through the absurd and irrational, and reflect on the post-war ‘return to order’ with the satirical. An aesthetics of the body is outlined, founded on the grotesque on the one hand and anti-classicism on the other. Since Dada’s corporeal images are considered as constructs rather than mimetic, fictional rather than realistic, the principle and practice of montage (photomontage, collage, assemblage) are considered central to the depiction of the human figure. It is suggested that Dada’s corporeal images occupy an ambivalent space, between battlefield and fairground, as both utopian and dystopian bodies. The critical and theoretical framework of the study is outlined, as well as a critical overview of existing literature on the topic.

Dada bodies

Between battlefield and fairground

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