Elza Adamowicz
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Zurich Dada
Between gas mask and carnival dance
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The chapter situates Dada historically in the wider context of pre-1914 avant-garde art and thought across Europe, referring to the works of artists such as Kandinsky or Russolo and thinkers such as Friedrich Nietzsche or Walter Benjamin. It traces the shift from a utopian to a dystopian vision, from the glorification of war’s destructive forces to Dada’s exposure of the war as absurd. It argues that if the Dadaists adopted a rhetoric of war and violence, it was to pervert it in the promotion of their own global revolt in the face of the machinery of destruction. The chapter develops an analysis of Zurich Dada’s activities at the Cabaret Voltaire and the Galerie Dada, focusing on George Grosz’s poems, Marcel Janco’s masks, and Sophie Taeuber’s dances and puppets.

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Dada bodies

Between battlefield and fairground

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