Hybrid bodies (I)
The impossible machine
in Dada bodies
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter and the next explore the reconfigurations of the human form through the concept of the hybrid body. Chapter 4 begins by exploring the machine-as-body in Picabia’s mecanomorphic drawings, read as a satire of a technological utopia. In his games of perversion, the ‘becoming-machine’ of the body is explored as a ‘becoming-erotic’ of the machine, in particular in its feminised forms. The second part of the chapter focuses on an analysis of the body-as-machine in Berlin Dadaists’ violent exposure, through photomontage, of dismembered, prosthetic or mechanised bodies, in the works of George Grosz and others that satirised the myth of the heroic man-as-machine on the battlefield or on the post-war assembly-line.

Dada bodies

Between battlefield and fairground

INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 47 47 4
Full Text Views 14 14 0
PDF Downloads 8 8 0
RELATED CONTENT