Hybrid bodies (II)
The grotesque
in Dada bodies
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Chapter 5 extends the study of the theme of the composite body via an exploration of the grotesque, informed by the work of Mikhael Bakhtin. An analysis of Kurt Schwitters’s Merzbau (1919–37) in terms of the corporeal dimension of architecture, structured on the principle of the grotto, is followed by a discussion of Otto Dix’s Phantastische Gebete (1920), illustrated by George Grosz, and Dix’s savage depiction of wounded war veterans in The Skatspieler (The Skat Players, 1920). The grotesque is, finally, linked to the abject body, as exposed in Tristan Tzara’s play Le Coeur à gaz (1921).

Dada bodies

Between battlefield and fairground

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