Dada’s Africa

in Dada bodies
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The chapter opens with a discussion of Man Ray’s Black and White (1921), the photograph of an African female statuette juxtaposed with a classical European statue. The chapter investigates the relations between Dada’s ‘primitivism’ and Expressionism and, particularly, the influence of Carl Einstein’s Negerplastik (1915). Hannah Höch’s cycle of photomontages, Aus einem ethnographischen Museum (1924–34), composed of fragments from fashion magazines and ethnographic illustrations, is then discussed as her response to contemporary racist and colonial discourses in 1920s Weimar Germany; to tribal and commodity fetishism; and as a challenge to contemporary aesthetics of the body.

Dada bodies

Between battlefield and fairground



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