Conclusion
Exquisite corpses
in Dada bodies
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In the final chapter the ambivalence of Dada’s bodies, as both ‘corpse’ and ‘exquisite’, is reasserted, in images of the body degraded and dissolved, or reconfigured and regenerated. Finally, Dada’s heritage is considered in developments in contemporary art, focusing in particular on critical or playful reappropriations of corporeal images which the Dadaists themselves had already transformed, in the work of Damien Hirst, Anna Artaker or Sadie Murdoch.

Dada bodies

Between battlefield and fairground

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