Typology, community, and stagecraft in the N-Town ‘Trial of Mary and Joseph’
in Enacting the Bible in medieval and early modern drama
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

Jonathan Stavsky analyses the representation of Jewish–Christian relations in the N-Town ‘Trial of Mary and Joseph’. He situates this play within a wide intertextual context, including the apocryphal source and its Middle English retelling. Considered in this way, Stavsky proposes that the play offers a nuanced vision of Christianity’s roots, as it translates salvation history to fifteenth-century East Anglia in order to forge a just community capable of resisting scandalmongers.

Metrics

All Time Past Year Past 30 Days
Abstract Views 29 29 1
Full Text Views 0 0 0
PDF Downloads 3 3 2