‘Samson Figuru nese’
Biblical plays between Czech drama and English comedy in early modern Central Europe
in Enacting the Bible in medieval and early modern drama
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Pavel Drábek discusses High Baroque dramaturgy as surviving in seventeenth-century scripts, arguing for a biblical teleology of the style. Among the plays he discusses are variants of the Esther play (English–German comedy and Czech puppet play), their variants in the Alcestis and Hercules myth (in Baroque opera, German plays and puppet plays), and in the popular Genevieve (or Jenovéfa) plays – all of which comprise multiple layers of early modern dramaturgies and performance practices within a biblical axiology.


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