Anna Watz
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Introduction
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In addition to outlining the aims, rationale, and themes of the volume, the introduction considers how historiographies of women associated with surrealism have tended to favour their visual output at the expense of their written oeuvres – an imbalance the volume seeks to rectify. Furthermore, the introduction interrogates the critical shorthand ‘women’s art/literature’ from a feminist point of view.

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Surrealist women’s writing

A critical exploration

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