‘By certain scales i’th’ pyramid’
Taking the measure of Antony and Cleopatra, Royal Shakespeare Company, 1972, 1978, 1982
in Antony and Cleopatra
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Opening with a question about the scale of Shakespeare’s play, this chapter looks at three seminal productions of Antony and Cleopatra at the Royal Shakespeare Theatre: in 1972 Trevor Nunn (with Janet Suzman and Richard Johnson as his principals) scaled it to epic proportions; in 1978 Peter Brook re-sized it around Glenda Jackson and Alan Howard for intimacy; in 1982 Adrian Noble made it a chamber play, putting Helen Mirren and Michael Gambon on a postage-stamp-sized stage that nevertheless imagined a space ‘past the size of dreaming’. Each of these productions is contextualised to its cultural moment: the anti-Vietnam student protest and women’s liberation movements in 1972; the reassigning of global politics to the domestic in 1978; the challenging of institutional policies in 1982.

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