An archaeology of innovation

The Nazi occupation of the small Channel Island of Alderney irreversibly altered the landscape and lives of both the contemporary population and the subsequent generations. The evacuation of the island’s 1,500 inhabitants in June 1940 paved the way for a period of occupation by the Germans that would last until May 1945. In 1941, Hitler issued an order to fortify the Channel Islands and make them an ‘impregnable fortress’; thus creating ‘Adolf Island’. This book seeks to collate and combine historical and archaeological data relating the occupation landscape in order to produce the definitive guide to the events that took place during this period. It addresses yet unanswered questions relating to the purpose of the occupation, the lives of the labourers, known and missing, and the post-war reaction to this legacy.

Tea on the terrace takes readers on a journey up and down the Nile with archaeologists and Egyptologists. Travellers such as Americans Theodore Davis, Emma Andrews, and James Breasted, as well as Britons Wallace Budge, Maggie Benson, and Howard Carter arrived in Alexandria, moved on to Cairo, travelled up the Nile by boat and train, and visited Luxor. Throughout the journey, readers spend some time with them at their hotels and on their boats. We listen in on their conversations, watch their activities, and begin to understand that much archaeological work was not done at the field site or in the university museum, as many historians have argued. Instead, understanding the politics of conversation in the social studies of science, the book shows that hotels in Egypt on the way to and from home institutions and excavation sites were liminal, but powerful and central, spaces which became foundations for establishing careers, building and strengthening scientific networks, and generating and experimenting with new ideas. These are familiar stories to readers, but Tea on the terrace presents them in a new framework to show Egyptologists’ activities in a seemingly familiar but unknown space. A mix of archaeological tourism and the history of Egyptology, the book is based on original archival research, using letters, diaries, biographies, and travel guides as well as secondary sources.

Early Anglo-Saxon cemeteries are well-known because of their rich grave goods, but this wealth can obscure their importance as local phenomena and the product of pluralistic multi-generational communities. This book explores over one hundred early Anglo-Saxon and some Merovingian cemeteries and aims to understand them using a multi-dimensional methodology. The performance of mortuary drama was a physical communication and so needed syntax and semantics. This local knowledge was used to negotiate the arrangement of cemetery spaces and to construct the stories that were told within them. For some families the emphasis of a mortuary ritual was on reinforcing and reproducing family narratives, but this was only one technique used to arrange cemetery space. This book offers an alternative way to explore the horizontal organisation of cemeteries from a holistic perspective. Each chapter builds on the last, using visual aesthetics, leitmotifs, spatial statistics, grave orientation, density of burial, mortuary ritual, grave goods, grave robbing, barrows, integral structures, skeletal trauma, stature, gender and age to build a detailed picture of complex mortuary spaces. This approach places community at the forefront of interpretation because people used and reused cemetery spaces and these people chose to emphasise different characteristics of the deceased because of their own attitudes, lifeways and lived experiences. This book will appeal to scholars of Anglo-Saxon studies and will also be of value to archaeologists interested in mortuary spaces, communities and social differentiation because it proposes a way to move beyond grave goods in the discussion of complex social identities.