in Jacques Audiard
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At its heart, Audiard’s cinema is defined by border-crossing in myriad forms: by the building of physical and symbolic walls, and the process of climbing – or dismantling – them. Audiard’s protagonists transgress geographic borders, physical limitations, social norms and class lines. Simultaneously violent yet intimate, dark yet hopeful, French yet ‘foreign’, grounded in an established film tradition and continually shrugging it off, these films are both informed by the heritage of French national cinemas and transcendent of it. This brief conclusion homes in on a key passage from Les Frères Sisters to reveal how Audiard and his films both occupy the metropolitan French cinematic space, and stretch far beyond it.


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