Dudley Andrew
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For the first time on screen together
Madame Bovary and Les Misérables in 1934
in French literature on screen
Chapter DOI:
https://doi.org/10.7765/9781526133151.00010
Online Publication Date:
14 May 2019
Abstract only
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In the winter of 1934 two highly anticipated titles premiered just weeks apart on Paris screens: Jean Renoir’s Madame Bovary (13 January) and Raymond Bernard’s Les Misérables (3 February). Evidently they were so different in style and tone that virtually no one remarked on this coincidence at the time. But from what did that difference stem? The styles of the directors or of the books they took on? My brief is to use these adaptations to examine style and tone, turning this actual coincidence into a potential encounter. When sound film had definitively saturated the country in the early 1930s, these novels imposed themselves as ripe for adaptation. At a moment when Hollywood was running roughshod over a particularly weak French industry, Jean Valjean and Emma Bovary appeared as heroes, and not just of their respective novels. What could be more appealing to a national audience than hearing exalted actors speak the language of Hugo or Flaubert and on actual French landscapes? To their presumably sure-fire domestic reception could be added educated viewers everywhere on the planet, ensuring sizeable export potential for French classics everyone had heard of.
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eISBN:
9781526133151
Publisher:
Manchester University Press
Cover French literature on screen
Subjects:
Film, Media and Music
Page Count:
24
Publisher:
Manchester University Press

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Cover Dance and politics

Dance and politics

Moving beyond boundaries

Author:
Dana Mills

Book

Publication History:

Online Publication Date:
21 Nov 2016
Subjects:
  1. Film, Media and Music
Available In:
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Dance has always been a method of self- expression for human beings. This book examines the political power of dance and especially its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement using dance to protest against gendered violence, dabkeh in Palestine and dance as protest against human rights abuse in Israel, the Sun Dance within the Native American Crow tribe, the book focuses on the political power of dance and moments in which dance transgresses politics articulated in words. Thus the book seeks ways in which reading political dance as interruption unsettles conceptions of politics and dance.

Cover Tony Garnett

Tony Garnett

Author:
Stephen Lacey

Book

Publication History:

Online Publication Date:
19 Jul 2013
Subjects:
  1. Film, Media and Music
Available In:
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This is a book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the ‘must-see’ series in the 1990s and 2000s such as This Life and The Cops, Tony Garnett has produced some of the most important and influential British television drama. This book charts his career from his early days as an actor to his position as executive producer and head of World Productions, focusing on the ways in which he has helped to define the role of the creative producer, shaping the distinctive politics and aesthetics of the drama he has produced, and enabling and facilitating the contributions of others. Garnett's distinctive contribution to the development of a social realist aesthetic is also examined, through the documentary-inspired early single plays to the subversion of genre within popular drama series.
Cover Theorising Media

Theorising Media

Power, form and subjectivity

Author:
John Corner

Book

Publication History:

Online Publication Date:
19 Jul 2013
Subjects:
  1. Film, Media and Music
Available In:
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This book explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, the author connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. The book is divided into two parts. In the first part, three big chapters on each of the key notions provide an interconnected discussion of the media activities opened up for exploration and the debates they have provoked. The second part presents examples, arguments and analysis drawing on the author's previous work around the core themes, with notes placing them in the context of the whole book. The book brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter, and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy.