Introduction
in Victorian touring actresses
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

The introduction situates the professional touring of Victorian actresses within the context of theatre history and scholarship. It provides an overview of the era, explains the cultural and gendered expectations of women in a period dominated by ‘separate spheres’ ideology, and outlines key features of the nineteenth-century theatrical industry. Following a rationale for the focus on the careers and lives of neglected ‘mid-tier’ actresses, brief individual biographies of featured performers are given with discussion of the source material researched for the book. Explanation of the organisation of the volume, which follows the stages of an actress’s lifecycle, concludes with a summary of the contents of each chapter.

Victorian touring actresses

Crossing boundaries and negotiating the cultural landscape

Metrics

All Time Past Year Past 30 Days
Abstract Views 12 12 2
Full Text Views 0 0 0
PDF Downloads 0 0 0