Zalfa Feghali
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Performing the border and queer rasquachismo in Guillermo Gómez-​Peña’s performance art
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This chapter explores the performance practice and aesthetic of Mexican-American performance artist Guillermo Gómez-Peña and his performance troupe, La Pocha Nostra. The chapter identifies the queer rasquache elements of Gómez-Peña’s performance pieces and texts, drawing on material from the 1980s to after 9/11. The chapter shows that Gómez-Peña creates an alternative North America by presenting figurative crossings of the US–Mexico border. This alternative nation is free from border concerns and founded on a radically new understanding of citizenship. In allowing his audience entry into this alternative nation state, Gómez-Peña brings together a collective (if temporary) challenge to and re-evaluation of the role of the citizen.

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Crossing borders and queering citizenship

Civic reading practice in contemporary American and Canadian writing

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