Proportionable returns
Rhyme, meaning and experience
in The art of <i>The Faerie Queene</i>
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This chapter considers Spenser’s rhymes in relation to a variety of contexts: sixteenth-century debate about rhyme, the practice of Chaucer, Spenser’s fondness for morphological distortion. Throughout, it is suggested that Spenser’s rhymes are semantic and meaningful in terms of the broader symbolic agendas of his poem. The first section discusses Spenser’s rhyming practice through a close reading of Merlin’s prophecy (The Faerie Queene Book III Canto iii), while the second describes Spenser’s rhyming relationship with Chaucer through a re-reading of his completion of ‘The Squire’s Tale’ in Book IV. The final section explores rhyme as a trope of recurrence, even to the extent of ‘reuolt’ and self-correction, through the example of Britomart’s entrance to Busirane’s enchanted castle in III.xi.

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