Shakespeare and Scotland

Editors:
Willy Maley
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Andrew Murphy
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This book explores, from a variety of critical perspectives, the playwright's place in Scotland and the place of Scotland in his work. The influence of Scotland on William Shakespeare's writing, and later on his reception, is set alongside the dramatic effects that Shakespeare's work had on the development of Scottish literature. The Shakespeare's work of Scottish literature stretches from the Globe to globalisation, and from Captain Jamy and King James to radical productions at the Citizens' Theatre in Glasgow. Shakespeare have strong Scottish connections by virtue of his theatre company's being brought under the sponsorship of the Scottish king James VI immediately after his accession to the English throne in 1603. Jonathan Goldberg and Alvin Kernan have traced the impact of royal patronage on Shakespeare's work after the Union, finding Scottish themes at play not just in Macbeth, but also in Cymbeline, King Lear, Hamlet, and in other plays. Then, the book outlines some of the issues and problems raised by Scotland and Scottish history for English readers in the last decade of Elizabeth's reign. Shakespeare wrote his English plays in Elizabeth's reign and his British plays after 1603, though Henry V, first performed in 1599, might be regarded as a proto-British play. Unlike Henry V, Shakespeare's most English play, where national identity is of the essence, in Macbeth, Scotland is a blot on the landscape. Shakespeare's political drama moves from a sense of England and Scotland as independent kingdoms into an alignment with the views of Unionist King James.

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Chapter 1: Introduction
Chapter 1: Introduction
Chapter 2: ‘Stands Scotland where it did?’
Chapter 2: ‘Stands Scotland where it did?’
Chapter 3: Wrapped in the strong arms of the Union
Chapter 3: Wrapped in the strong arms of the Union
Chapter 4: The place of Scots in the Scottish play
Chapter 4: The place of Scots in the Scottish play
Chapter 6: Hamlet’s country matters
Chapter 6: Hamlet’s country matters
Chapter 7: How Scottish was ‘the Scottish play’?
Chapter 7: How Scottish was ‘the Scottish play’?
Chapter 8: The Bard
Chapter 8: The Bard
Chapter 9: ‘Not fit to tie his brogues’
Chapter 9: ‘Not fit to tie his brogues’
Chapter 10: Shakespeare goes to Scotland
Chapter 10: Shakespeare goes to Scotland
Chapter 11: Citz Scotland where it did?
Chapter 11: Citz Scotland where it did?
Appendix
Appendix
Chapter 12: Local Macbeth / global Shakespeare
Chapter 12: Local Macbeth / global Shakespeare
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