Poets reflected on the royal wedding, as some of the same ones, such as Thomas Heywood, Peacham, John Donne, and George Wither, had responded to Prince Henry's death and funeral. London 1613 included the most renowned playwright and the most prominent actor, in the immediate aftermath of the wedding. Donne begins by hailing 'Bishop Valentine', whose day the wedding commemorates. He then turns to work several changes on the idea of the phoenix, a concept and image linked to Duke of Lennox, King James, and in Webster's poem on the death of Henry to the prince himself. As Lennox well knew, some of the residue of resentment or uncertainty grew out of the court's wrestling still with the overwhelming reality of Henry's death. But in the final outburst of wedding festivities Queen Anne participated fully.
This chapter pinpoints 27 December 1601 as the date of the first performance
of Twelfth Night – and demonstrates that Shakespeare wrote his play for two
audiences, one at Elizabeth’s Court, the other at the Inns of Court.