Representing illusions and disillusions
A visual narrative of the Romanian transition to capitalism
in Revolution, democratic transition and disillusionment
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This chapter sets out to explore the visual horizon of transitioning Romania and points to a series of important elements that have come to dominate it. One may easily consider the members of the 7 Days Group as visual anthropologists, expressing their findings through images as opposed to written or spoken narratives. The experience of the flaneur versus that of the spectator is separated by different visual techniques. Walter Benjamin used the concept of the flaneur to describe the streets of nineteenth-century Paris, the transformations in the industrial cityscape and the influence that these transformations had on everything from fashion to the way in which people related to their environment and each other. Industrial transformations are intrinsically linked to the urban as the ultimate expression of modernity. Susan BuckMorss argues that communism and capitalism were much more than two modern ideologies: they were two dreamworlds, or spectacles of modernity.


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