Fearsome monsters
in The cultural politics of contemporary Hollywood film
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

In this chapter we flesh out the political significance of one of the three categories of ‘fear films’: the monster category. The chapter focuses on zombies – that is, monsters who highlight fear films’ characteristic blurring of safety and danger, the familiar and unfamiliar. Because zombies give expression to uncertainties about the stability and worth of the social order, they provide an apposite instance for considering the cultural politics of (in)security and fear.

Metrics

All Time Past Year Past 30 Days
Abstract Views 75 15 0
Full Text Views 17 10 0
PDF Downloads 7 6 1