in The cultural politics of contemporary Hollywood film
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The final chapter in Part II of the book attending to analysis of citizen-to-citizen relationalities concerns fraternity, or masculine homosociality, and its significance in ‘bromance’. It is commonplace, indeed ubiquitous, in Hollywood films to foreground men and their interactions. However, the attention given to intimate relationality between men in bromance movies distinguishes them from the usual representations of men and male-to-male friendships and links them with ‘chick flicks’ and romantic comedies. This chapter continues our exploration of gender, intimacy, and heteronormativity to demonstrate that the realm of the personal is politically salient for men as well as women.


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