‘The dead – the slain – the unavenged’ – trauma in the 1940s and 1950s
in Printing terror
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This chapter argues that horror comics present a counter-narrative to dominant forward-looking narratives of economic and scientific progress. They present, instead, a world in which the white male hegemony is under threat from both social change and the horrors of war.

Printing terror

American horror comics as Cold War commentary and critique

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