in Precarious spectatorship
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The Epilogue locates my research within my own experiences of being exposed to images of violence, contextualising this study and offering some thoughts on a personal experience of precarious spectatorship. I also discuss the work of Antonin Artaud, one of the key critical voices in theatre to warn against the violence of representation, and conclude with an analysis of Alice Birch’s (2018) La Maladie de la Mort, a play that addresses the suicidal consequences of a world predicated on images.

Precarious spectatorship

Theatre and image in an age of emergencies


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