If the shoe fits, or the truth in pinking
in Transnational connections in early modern theatre
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter investigates what a single, unpaired shoe uncovered by the Museum of London’s archaeological excavation of the Rose theatre might tell us about Thomas Dekker’s The Shoemaker’s Holiday, and about treading the boards of the early modern stage. Through a re-examination of stage-directions, playtexts and documents of theatre history from a variety of theoretical vantages, the chapter seeks to reanimate the shoe not as a static historical artefact paired with or fit to its proper historical context, but rather as a thing that reorients theatregoers towards their everyday contact with the world from the ground up.

INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 18 18 18
Full Text Views 0 0 0
PDF Downloads 0 0 0
RELATED CONTENT