Afterword
‘We must love one another or/and die?’
in Sex and desire in British films of the 2000s
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Taking its cue from a line in a W.H. Auden poem, this final section analyses Perfect Sense (2011), a film about a deadly and unseen virus which breaks up human relationships and the stability of society as a way of bringing the cinematic story of ‘how we live now’ up to date. The remainder of the chapter reflects on how the generic fluidity of the films discussed may reflect increasing conceptions of sexual identities as existing in a fluid state of being. The chapter concludes that some very important and significant studies of love, desire and sex have been produced and realised by the film-makers and actors whose work has been discussed and analysed in the book as a whole.

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