Fabian Graham
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The modern Underworld tradition
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Chapter 1 begins by outlining the book’s four primary narratives. First, the pivotal role of Underworld deities as channelled through their tang-ki; second, the history of Chinese post-mortal cosmology; third, city gods and the significance of Anxi City God Temple (Anxi Chenghuangmiao) in China; and fourth, an analysis of societal catalysts triggering religious change to explain the increasing popularity and channelling of Underworld deities in Singapore and Malaysia. Moving on to terminology, the decision to use ‘Chinese vernacular religion’ to describe the religion of the masses over either ‘folk religion’ or ‘popular religion’ is explained. The chapter concludes by explaining the composition and divisible nature of the human soul in Chinese cosmology; the process of deification whereby a human soul can achieve post-mortal deity status; and how a deity can be promoted, demoted, and exist in multiple pantheons.

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Voices from the Underworld

Chinese Hell deity worship in contemporary Singapore and Malaysia


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