Fabian Graham
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Anxi Chenghuangmiao and cultural flows of local mythology
in Voices from the Underworld
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Relocating to China, Chapter 10 centres on Anxi Chenghuangmiao. The temple’s early history and its 1990 relocation from Anxi city centre to the Fengshan Scenic Tourism Area above the graves of Xie Bian and Fan Wujiu are critically investigated, as are its atypical Tua Di Ya Pek mythologies. Analysed in context of the invention and commoditisation of tradition and of China’s changing cultural policies, Anxi Chenghuangmiao’s reinvention is associated with self-perpetuating its own City God tradition, and to Tua Di Ya Pek’s recent overseas popularisation. Continuing this line of enquiry, the chapter concludes by describing the opening of a new annex in front of Xie Bian and Fan Wujiu’s graves, an annex first conceptualised in Klang, Malaysia, and evaluating the contestation of meaning and counterclaims to provenance of the new ritual site.

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Voices from the Underworld

Chinese Hell deity worship in contemporary Singapore and Malaysia


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