in Hélène Cixous
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This chapter is an extended meditation on the beauty and polyphonic possibilities of the English word ‘away’, specifically in terms of how it enables a critical reading and appreciation of Cixous’s writing as escaping, in flight, going ‘away’, as text – but also as sound or music. This involves a detailed reading of Cixous’s ‘Writing Blind’ and Kafka’s ‘The Departure’, as well as extended discussion of how ‘away’ works in Shakespeare (especially Antony and Cleopatra), Keats’s ‘Ode to a Nightingale’, Joyce’s A Portrait of the Artist as a Young Man and Stevens’s The Man with the Blue Guitar. A critical close reading of Paul de Man on Keats’s ode discloses a new emphasis on the haunting inscription of ‘away’ in the poem. This leads back to a further encounter with ‘dream in literature’, wherein the writings of Cixous, Shakespeare and Keats sound together in the figure of the nightingale.


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